window.dataLayer = window.dataLayer || []; function gtag(){dataLayer.push(arguments);} gtag('js', new Date()); gtag('config', 'UA-9851146-2');

Reviews

Film Review: It’s a Wonderful Knife is a merry bloody fun slasher that totally sleighs

November 14, 2023

It’s a Wonderful Knife tells the story of Winnie Carruthers (Jane Widdop), a socially withdrawn teenager whose life has gone down a less than wonderful path. In the freewheeling, happy-go-lucky mountain town of Angel Falls, she manages to stop the Angel Killer, who had just gone on a massive killing spree, including the death of […]

Read More

Film Review: The Marvels is fun and harmless, but MCU saviour this is not

November 10, 2023

It wasn’t so long ago that the Marvel machine was something of an unstoppable force to be reckoned with.  Each film seemed to pull record-breaking numbers upon its opening weekend and, more often than not, were winners across the board with critics; at least enough to be deemed “Fresh” on Rotten Tomatoes, which has become […]

Read More

Film Review: The Big Dog is a black dramedy that delights in the misery of its assembled company

November 8, 2023

As far as savvy sex-working women go, the character driving the bulk of The Big Dog‘s emotional and psychological torture isn’t the most traditional.  Pretty Woman this isn’t, with the financial dominatrix side of sexual services being explored here (Findom, for those in the know) in Dane McCusker‘s intriguing black dramedy that delights in the […]

Read More

Poor Things is a sexually liberated black comedy stirring with emotion and topical commentary: Brisbane International Film Festival Review

November 6, 2023

Like his previous works that celebrate their fantastical, absurdist nature with a certain gravitas, Yorgos Lanthimos grounds Poor Things, an undeniably wild, oft-offensive, sexually liberated black comedy, with a stirring sense of emotion and topical commentary. In 19th century London – or what such a time period looks like within Lanthimos’ vivid imagination – the […]

Read More

May December navigates its delicate subject matter with an intentional melodramatic flair: Brisbane International Film Festival Review

November 5, 2023

Within the opening minutes of May December, small-town mother Gracie Atherton-Yoo (Julianne Moore) is throwing a community BBQ with all the social niceties we come to see over the future 113 minutes she shrewdly projects.  In hoping she has enough food to feed the masses, she opens the refrigerator and questions if she has enough […]

Read More

Sonos is a promising short that delights in its horror flourishes: Brisbane International Film Festival Review

November 4, 2023

Whenever a horror film does well at the box office, the internet as a collective (or, more specifically, Twitter, sorry, X) likes to announce that “horror is back!”  But the truth is, it never really went anywhere.  Sure, like most genres it has its ups and downs in terms of general interest and monetary returns, […]

Read More

The Royal Hotel manipulates our expectations with a lingering sense of unease: Brisbane International Film Festival Review

November 3, 2023

Inspired by Hotel Coolgardie, Pete Gleeson’s shock 2016 documentary about two female Finnish backpackers and their work experience at a predominantly male-frequented pub, The Royal Hotel similarly shines a light on the the disturbing, toxic nature that can spawn from a small, isolated town that exploits Australia’s “drinking culture” mentality. An ironic title that will […]

Read More

All of Us Strangers is an achingly beautiful, haunting lullaby of a film: Brisbane International Film Festival Review

November 3, 2023

As someone who lost their father at a young age, and therefore never had the conversation regarding my sexuality (and all that could possibly entail), the thought process throughout and inability to hold back my emotions during All of Us Strangers was palpable. Adapted by writer/director Andrew Haigh (Looking: The Movie) from Japanese author Taichi […]

Read More

Film Review: Quiz Lady wins the comedy round thanks to an energetic Sandra Oh

November 3, 2023

Though she’s known for her dramatic work primarily on television’s Grey’s Anatomy and Killing Eve, Sandra Oh enthusiasts are all too aware that the actress has a serious talent for the comedic flare; The Princess Diaries, anyone? But even still, the absolute let-loose mentality the actress adheres to for Quiz Lady is another level entirely, […]

Read More

Strange Way of Life is a gorgeous but unsatisfying short: Brisbane International Film Festival Review

November 2, 2023

Gorgeous but unsatisfying, Pedro Almodóvar‘s campy telenovela Strange Way of Life is a sexy short feature that proves the ultimate tease as it doesn’t entirely deliver on the sex appeal of its leads and then climaxes before we’ve even moved on from foreplay. Said leads are Ethan Hawke and Pedro Pascal, playing two perfectly-tailored cowboys […]

Read More

Film Review: Black White and the Greys encapsulates the emotional push-and-pull we universally experienced throughout the pandemic

November 2, 2023

With the Black Lives Matter and #MeToo movements featured prominently, as well as the overall intertwined arc of the COVID-19 pandemic, Black White and the Greys is a film that eerily encapsulates the emotional push-and-pull we universally experienced. A relatable, at-times uncomfortable drama, Black White and the Greys is a collaboration between Marchelle Thurman and […]

Read More

Club Zero is a traumatic and dangerous film that misses the mark on satire: Brisbane International Film Festival Review

November 1, 2023

*Trigger warning: This review discusses eating disorders* The satirical possibilities present within Jessica Hausner‘s dramatic Club Zero are ripe.  The execution, however, is undercooked; ironic, considering the topic at the core of this truly odd and oft dangerous film. At an elite private school, the enigmatic Miss Novak (Mia Wasikowska) has arrived to teach a […]

Read More

Birdeater is a visceral experience that leans into the brutality of emotional abuse: Brisbane International Film Festival Review

November 1, 2023

Given that Jim Weir and Jack Clark‘s frighteningly uncomfortable Birdeater is an Australian chiller set in the outback (at least for the majority of its running time), audiences are justified in thinking it could fall in line with other brutality-in-the-bush titles like Picnic at Hanging Rock or even Wolf Creek.  The more accurate comparison though […]

Read More

Film Review: Victim is a distressing watch about the online radicalisation of today’s youth

October 31, 2023

Throughout Victim‘s 14 minute running time, the tension laid forth by writer/director Robin Summons is near-unbearable as it traces a radicalised teenager and his increasingly concerned mother. Offspring favourite Kat Stewart brings a sweet yet stern nature to the role of Chrissy, a single mother whose seeming one wish is to have a collected dinner […]

Read More

Late Night With the Devil is a twisted take on the “found footage” horror film: Brisbane International Film Festival Review

October 31, 2023

“Before we continue I’d like to apologize to anyone who might be upset or offended by what you saw before the break. It’s not every day you see a demonic possession on live television.” Not the most typical sentence you’d expect to hear from a late night host, but such is the statement made by […]

Read More

Bring Him To Me‘s masculine energy can’t mask its genre unoriginality: Brisbane International Film Festival Review

October 28, 2023

Having dealt with a duo of alien invasions for his Occupation films, it makes sense that Australian filmmaker Luke Sparke would want to look at something a little more grounded for his next cinematic feat.  Whilst still working with an exaggerated mentality, Bring Him To Me is a crime thriller that bathes in a smaller, […]

Read More

Film Review: The Killer is a precise and darkly comedic antidote for genre expectation

October 27, 2023

With its tried and true premise, and graphic novel origins, one may expect The Killer to fall into the expected traps and tropes of the hitman subsect of the action genre.  And though that wouldn’t necessarily be a bad thing, with David Fincher at the helm, as well as reuniting with his Se7en screenwriter Andrew […]

Read More

Uproar is an uplifting coming-of-age dramedy grounded by a sublime Julian Dennison: Brisbane International Film Festival Review

October 27, 2023

Outside of New Zealand it’s highly likely that the political clash at the centre of Hamish Bennett and Paul Middleditch‘s Uproar is one that’s never been heard of. Set in 1981, the ultimately uplifting, oft-powerful coming-of-age dramedy centres around the controversy that arose from the South African rugby team touring New Zealand at the time.  […]

Read More

Film Review: Netflix’s opioid crime drama Pain Hustlers benefits from Emily Blunt’s passionate performance

October 26, 2023

There’s already been an abundance of films, television series and books that have detailed the greedy, unethical foundations of the pharmaceutical industry in America.  And whilst Netflix’s Pain Hustlers may not be the most investigative and favours entertainment over education, it’s a further insight into the peddling of the opioid crisis and acts as something […]

Read More

Film Review: Scarygirl invites its viewers to embrace the power of positivity in even the darkest of days

October 26, 2023

Watching Scarygirl it becomes even more increasingly annoying that Australian cinema hasn’t embraced animation as thoroughly as we should.  Sure, we have the likes of Blinky Bill and Ferngully to claim as our own (and, yes, I’m aware of Happy Feet, but it feels like an entity separate from the more independently funded productions), but, […]

Read More

Film Review: Dumb Money is a cautionary tale as much as it is one of conquest

October 26, 2023

Watching Dumb Money it’s not hard to be reminded of The Social Network.  Aside from the fact that Craig Gillespie‘s comedic drama is produced by The Winklevoss Twins – the brothers who had a major role in the creation of Facebook, at least according to them – Dumb Money is similarly recounting one of the […]

Read More

Film Review: Five Nights at Freddy’s may be too long a stay for the uninitiated viewer

October 26, 2023

As someone who hasn’t played the Five Nights at Freddy’s video game series and, by extension, has no idea of the attached lore, I can’t comment on how faithful Emma Tammi‘s supernatural horror(ish) film truly is.  I have to hope that the purists will enjoy themselves with what is put forward, but as a casual […]

Read More

Film Review: Monolith is an intimate, isolated chiller that delights in its own ambiguity

October 24, 2023

As we have been told across filmic media for years, “The truth is out there”, and referencing the tagline for The X-Files feels more than appropriate when discussing Matt Vesely‘s science-fiction leaning chiller Monolith, an intimate, isolated feature that flirts with the notion of an alien invasion without complete penetration. Such a tease. An incredibly […]

Read More

Nightmarish folk horror film Saint Drogo is brutal, bleak and erotic: Nightmares Film Festival Review

October 24, 2023

After announcing themselves as a queer filmmaking collective that weren’t afraid to take risks with both the horror genre they clearly adore and certain dynamics within their own community with their campy, giallo-inspired slasher Death Drop Gorgeous (now streaming on Shudder), Monster Makeup, LLC have more proven they aren’t a flash in the pan – […]

Read More

AFF Review: True Crime documentary Speedway is a fascinating journey

October 23, 2023

True-crime docu-drama SPEEDWAY is based on the unsolved murders that claimed the lives of four teens working in a burger restaurant in 1978. The town of Speedway is the location of the famous Indianapolis Motor Speedway. This feature debut from Adelaide’s Luke Rynderman and co-director Adam Kamien tries to piece together the 40-year-old cold case […]

Read More

AFF Review: Housekeeping for Beginners explores queer family dynamics in a Macedonian household

October 23, 2023

Housekeeping for Beginners is set in a chaotic family home in Macedonia. However, this is no ordinary household. Dita lives with her girlfriend and her two daughters, tiny troublemaker Mia and rebellious teen Vanesa. The house is a sort of drop-in centre for the queer and homeless, with Toni, who tends to pick up younger guys […]

Read More

Film Review: Foe is a love story set in a dystopian future wasteland

October 22, 2023

Hen (Saoirse Ronan) and Junior (Paul Mescal) are farming a remote piece of land that has been in his family for generations. The land is under drought, and globally the environment is struggling. In the middle of the night, an uninvited government agent (Aaron Pierre) shows up at their door with a surprise. Junior has […]

Read More

Bottoms rises to the top with an uproarious nature: SXSW Sydney Screen Festival Review

October 21, 2023

There was something darkly, deliciously special about the way writer/director Emma Seligman and actress Rachel Sennott announced themselves with 2020’s Shiva Baby.  A claustrophobic black comedy that indulged in a spiralling, horrific temperament, their collaboration set a certain precedent for the boundary-pushing, topical humour that’s furthered in Bottoms, a wild, oft-violent, sexually liberated high-school comedy […]

Read More

Hot Potato: The Story of The Wiggles is a heartwarming documentary about Australia’s unlikeliest icons: SXSW Sydney Screen Festival Review

October 21, 2023

From the humblest of beginnings, where Australia’s ABC network weren’t sure on investing in their talent, to multi-million selling music artists that sold out Madison Square Garden and can count the likes of Jerry Seinfeld, John Travolta, and Sarah Jessica Parker as fans, The Wiggles defied the expectations of many to form a global brand […]

Read More

Pandemic “comedy” New Strains is a nightmarish chore to experience: SXSW Sydney Screen Festival Review

October 19, 2023

Whilst it’s always best to go into films with zero expectations, plot synopses and narrative outlines at least provide an idea of what audiences can expect from a storytelling perspective – however loose the product itself wants to determine as such.  For New Strains, there was the idea of this being sold as a romantic […]

Read More